rowid,id,year,session_id,ord,role,role_group,name_as_printed,affiliation_as_printed,paper_title,person_id,institution_id,source_document_id,page
55561,918,2024,eshow:98C9ACB4-0C11-CE6C-E98A-A3B601F4756D,2,Speaker(s),speaker,Earl Brooks,"University of Maryland, Baltimore County",,p:earl-brooks,ror:02qskvh78,eshow-listing-2024,217
56577,1130,2024,eshow:98ECF67D-B963-E4D5-909E-CA03AA62AA92,5,Speaker(s),speaker,Desiree Sterling,"University of Maryland, Baltimore County",Examining Lizzo as a Source of Surround Sound Cultural Critique,p:desiree-sterling,ror:02qskvh78,eshow-listing-2024,270
56584,572,2024,eshow:98ED3E56-B365-C26E-C54F-C971FEB2FF1D,5,Speaker(s),speaker,Earl Brooks,"University of Maryland, Baltimore County",The Underwater/Underserved Podcast: Reflections on Sound and Composition,p:earl-brooks,ror:02qskvh78,eshow-listing-2024,270
56775,1137,2024,eshow:98F5A78F-D98E-3459-C261-F970373FE057,4,Speaker(s),speaker,Earl Brooks,"University of Maryland, Baltimore County",The African American Jeremiad in the 21st Century,p:earl-brooks,ror:02qskvh78,eshow-listing-2024,203